Just a very quick update for all those passing by after their busy weekends: The Kid has not made it's appearance yet. Very annoying that, especially having to forego all those lovely courses - I should have booked on one regardless and that would have guaranteed an arrival without a doubt.
I spent the weekend feeling not particularly great - slightly worse than during the week - so it can't be far off. Just need this little sod to come along before Induction Day...which is now tomorrow night. Urgh. Scared.
Good Dog pointed out to me that Stephen Merchant is sitting around doing bugger all according to Variety. Well, I'm sure he'll be relieved to know he's not the only one...
But at least I got to see the first part of "Talk to Me" last night - think I'll have to wait and see how it pans out before throwing down the gauntlet though. I just want to know how Beesley's tackle managed not to make a special appearance of it's own at that acute horizontal angle. Toupe tape, strapping, cgi - I have seen them all used in the past, but there seemed to be a lot more on show than those items would normally allow.
Meanwhile, Lucy, the cheeky little dynamo, has already posted the first of her notes from Adrian Mead's fab course held in Edinburgh over the weekend.
Showing posts with label variety. Show all posts
Showing posts with label variety. Show all posts
Monday, June 11, 2007
Still Here...
Friday, June 08, 2007
Rantings & Ratings
Here's a little something from "Variety" this week - I found it mildly amusing.
"WRITER-PERFORMERS STAGE BALANCING ACTS
Hyphenates add fresh take to genres
In Britain, where a "season" of a show might easily be six carefully crafted episodes, it's commonplace to see a Ricky Gervais write every script and star in every episode. American TV, though, with its 20-plus episode seasons, has long adopted a tidy assembly-line approach: Writers work in the writers' room, actors on the set."
The report then carries on to state there is a whole new clutch of writer-performers in the U.S. battling away the hours both on set and in the writers' room - but the general worry is the length of day they work esentially doing two jobs...although, the outcome is proving good, regardless.
Well, after years of us being successful multi-talented multi-taskers, I am sure once the U.S. have got the hang of the UK-style, they'll be fine. Bless.
Other things to have caught my attention this week, other than the fact The Kid hasn't made an appearance yet?
I see the Ch4 documentary on Diana failed abysmally in it's 'mass ratings coup'. Whilst 6.2 million watched Surallan do his stuff on "The Apprentice", 3.8 million tuned in to watch "Diana - the Witness in the Tunnel" - not too bad, but I bet they were hoping for more - and they only received 2000 complaints - most of which were received before the programme went to air. That makes it alright then.
Did anyone really believe the documentary was going to reveal the real truth behind it all? Guys, there are some things we will never know. Ever. End of. And you can take that as you read it - conspiratorial, fait a complis, whichever.
And finally, last night's "Big Brother" managed to convince 4.6m to tune in to see the much publicised racist slur. What more can I say?
Pass me that self-labotomy kit - or a ticket to the U.S.
"WRITER-PERFORMERS STAGE BALANCING ACTS
Hyphenates add fresh take to genres
In Britain, where a "season" of a show might easily be six carefully crafted episodes, it's commonplace to see a Ricky Gervais write every script and star in every episode. American TV, though, with its 20-plus episode seasons, has long adopted a tidy assembly-line approach: Writers work in the writers' room, actors on the set."
The report then carries on to state there is a whole new clutch of writer-performers in the U.S. battling away the hours both on set and in the writers' room - but the general worry is the length of day they work esentially doing two jobs...although, the outcome is proving good, regardless.
Well, after years of us being successful multi-talented multi-taskers, I am sure once the U.S. have got the hang of the UK-style, they'll be fine. Bless.
Other things to have caught my attention this week, other than the fact The Kid hasn't made an appearance yet?
I see the Ch4 documentary on Diana failed abysmally in it's 'mass ratings coup'. Whilst 6.2 million watched Surallan do his stuff on "The Apprentice", 3.8 million tuned in to watch "Diana - the Witness in the Tunnel" - not too bad, but I bet they were hoping for more - and they only received 2000 complaints - most of which were received before the programme went to air. That makes it alright then.
Did anyone really believe the documentary was going to reveal the real truth behind it all? Guys, there are some things we will never know. Ever. End of. And you can take that as you read it - conspiratorial, fait a complis, whichever.
And finally, last night's "Big Brother" managed to convince 4.6m to tune in to see the much publicised racist slur. What more can I say?
Pass me that self-labotomy kit - or a ticket to the U.S.
Filed Under:
Big Brother,
performance,
sarcasm,
TV ratings,
variety,
writing,
writing for TV
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